Loving Vincent, Painted Film on Vincent Van Gogh

January 27, 2018

By Janet Dodrill

Loving Vincent movie DVD

Loving Vincent movie DVD.

Loving Vincent is the first fully oil painted animated feature film, created on the life of Vincent van Gogh. The story takes place one year after his death, and the actual subjects of his paintings and landscapes are brought to life. We walk through time and space (as perhaps Vincent did) as if walking through his paintings, exploring the people in his life and the timeframe leading up to his death, recounted through black and white painted flashbacks.

The facts and controversy surrounding his death are presented to us, and are well-researched, referring to 300 actual historic letters. Over 100 artists contributed to the film, which is composed of 65,000 painted frames, and took six years to make. Ninety Four of Vincent’s paintings are recreated into the film, starting with a cast of actors that resemble subjects like Armand Roulin, Dr. Gachet, and Postman Roulin, Theo his brother, and even Vincent himself and filmed on video, then CGI techniques were applied and frames painted primarily by 80 selected oil painters. Decisions were made by varying palette color and frame dimensions in order to be both true to the paintings as much as possible but also make the movie scenes and characters logically work.

The film is brainchild of Dorota Kobiela, a painter herself, after her emotional response to reading his letters, and has received or been nominated for many awards.

Loving Vincent
Written and directed by Dorota Kobiela and Hugh Welchman

Loving Vincent Trailer on YouTube

Loving Vincent Trailer (2017)
https://www.youtube.com/watch?v=hC3dqQPunKs

Loving Vincent, Behind The Scenes. A presentation by Director/Producer Hugh Welchman
https://www.youtube.com/watch?v=eOtwJL4iV8s

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William Horning, Schmitz-Horning Co., Artist and Lithographer

December 22, 2017

By Janet Dodrill

William Horning, Floral Still Life, oil on canvas, 27" x 33"

William Horning, Floral Still Life, oil on canvas, 27″ x 33″

William Horning, was a partner of the Schmitz-Horning Company, a lithographic wall covering and mural manufacturing firm in Cleveland, Ohio founded around 1905.

His name appeared on a 1906 patent for a printed repeat pattern wall frieze (US 830931 A), along with that of Hugo Max Schmitz I (my great-grandfather), and Warren R. Cox (family friend and head salesman).

William (Bill) Horning was a Cleveland area artist and lithographer, in addition to Hugo.

He sold his interest in Schmitz-Horning around 1920, but continued to work in the printing industry in the Cleveland area.

He was referred to as a landscape, marine, and animal painter of Cleveland (Cuyahoga area), and exhibited with the Cleveland Art Club and the Water Color Society of Cleveland starting in 1894. He led and evening sketch class at the Cleveland Art Club in 1895. That is around the time that my great grandfather Hugo M. Schmitz, who moved to Cleveland from Wisconsin, attended the group. They may have met there before starting Schmitz-Horning Co. not long thereafter.

In 1930 he participated in an exhibition of water colors by members of the Cleveland Society of Artists, a group who held member exhibits semi-annually. Carl Broemel, who created art for many murals for Schmitz-Horning, also had paintings in the exhibit, and incidentally was hired by my grandparents to paint an oil portrait of my mother as a young girl.

The floral oil painting by William Horning shown sold from the Baldwin-Wallace College collection at Rachel Davis Fine Arts auction in 2009.

 

Sources:

Cleveland Plain Dealer, Sunday, January 26, 1930

Artists in Ohio, 1787-1900: A Biographical Dictionary, by Jeffrey Weidman, compiled & edited by Mary Sayre Haverstock, Jeannette Mahoney Vance, & Brian L. Meggitt, © 2000, Kent State University Press

Rachel Davis Fine Arts

Liveauctioneers.com

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Photo: Rachel Davis Fine Arts

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The Inktober Pledge

October 3, 2017

By Janet Dodrill

This October I took the Inktober pledge!

The Inktober Initiative was the idea of Jake Parker, established illustrator, to commit to ink drawing practice everyday for the month of October. Started in 2009, the event is practiced by artists around the world, and has official rules and daily idea prompt list to follow. Ink drawings are to be posted to social media on a regular basis using the this year’s hashtags, #inktober and #inktober2017.

I am posting my Inktober drawings to Twitter, Facebook, Instagram, and Google +. I enjoy being part of this creative endeavor and all 31 drawings will be posted here as the month progresses. This gives me the opportunity to practice sketching and drawing.

To learn more about Inktober, see Jake Parker’s website at www.mrjakeparker.com/inktober.

Copyright article and images. All rights reserved. Not to be used without permission.

art supplies

Bought some new art supplies to add to my art box for Inktober! #PerfectExcuse

Ink drawing by Janet Dodrill, day 1, word: swift

Ink drawing, day 1, word: swift

Ink drawing by Janet Dodrill, day 2, word: divided

Ink drawing, day 2, word: divided

Ink drawing by Janet Dodrill, day 3, word: poison

Ink drawing, day 3, word: poison


Update: below are some of my favorite ink sketches from Inktober.

Ink drawing by Janet Dodrill

Ink drawing by Janet Dodrill

Ink drawing by Janet Dodrill

Ink drawing by Janet Dodrill

Ink drawing by Janet Dodrill

Ink drawing by Janet Dodrill

Ink drawing by Janet Dodrill

Ink drawing by Janet Dodrill

Ink drawing by Janet Dodrill

Ink drawing by Janet Dodrill

Ink drawing by Janet Dodrill

Ink drawing by Janet Dodrill

Ink drawing by Janet Dodrill

Ink drawing by Janet Dodrill

Ink drawing by Janet Dodrill

Ink drawing by Janet Dodrill

Ink drawing by Janet Dodrill

Ink drawing by Janet Dodrill

Ink drawing by Janet Dodrill

Ink drawing by Janet Dodrill

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Archibald Willard, Friend to Hugo Max Schmitz of Schmitz-Horning Co.

February 27, 2017

By Janet Dodrill

Hugo Max Schmitz I (late 1800s).  (Schmitz family archives)

Hugo Max Schmitz I (late 1800s). (Schmitz family archives)

It is believed that in the 1890s, a promising artist left his family and relatives in Milwaukee, Wisconsin, and made his way to Cleveland, perhaps attracted to its thriving art community. He was Hugo Max Schmitz (1867-1938), my great grandfather, and in his mid-30s. Hugo, of German descent, joined Cleveland’s Art Club (formerly know as The Bohemians) and attended regular drawing sessions in its location above City Hall, and participated in their exhibits and possibly traveled abroad with other artists.

President of the established Art Club (and also co-founder and trustee) at the time was notable northeast Ohio artist Archibald MacNeal Willard (1836-1918). He was best known for his painting of The Spirit of ’76. He was born in Bedford, Ohio and at the age of 17 moved to Wellington, Ohio. There is a museum in Wellington in his honor.

Photo portrait of Archibald Willard, restored (Schmitz family archives).

Photo portrait of Archibald Willard, restored (Schmitz family archives).

Archibald Willard was a prolific artist who worked in a variety of mediums and subject matters. He was a talented portrait artist as well as landscape artist.

In addition to the Wellington museum, several Cleveland museums carry his work including the Cleveland Museum of Art and Cleveland History Center/Western Reserve Historical Society. A dedicated plot just east of Cleveland City Hall is known as Willard Park.

A search in Cleveland’s The Plain Dealer archived newspaper articles, resulted in stories about Cleveland artists which included Archibald Willard and photos of him working in his studio.

Archibald MacNeal Willard in his studio (Source: Cleveland Plain Dealer, December 17, 1899, Several of Cleveland's Well Known Artists Seen At Work In Their Studios).

Archibald MacNeal Willard in his studio (Source: Cleveland Plain Dealer, December 17, 1899, Several of Cleveland’s Well Known Artists Seen At Work In Their Studios).

He had a friendship with Hugo, and gave him a portrait photo of himself, plus as a wedding gift in 1902 an original landscape oil painting, which resembles the area’s Chagrin River. In addition my great grandfather received a small statue of The Spirit of ’76 from Mr. Willard, which may be a one of a kind working prototype in porcelain by Stanway.

Hugo Max Schmitz co-founded the Schmitz-Horning Company in 1905, a well-regarded scenic wall paper and mural manufacturing firm, and was president of the company until 1938, when his son Warren Reynolds Schmitz ran it until the company’s closing around 1960.

Landscape oil painting by Archibald Willard (Schmitz family archives).

Landscape oil painting by Archibald Willard (Schmitz family archives).

Statue of Spirit of '76 by Archibald Willard (Schmitz family archives).

Statue of Spirit of ’76 by Archibald Willard (Schmitz family archives).

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Artistic Prints and Note Cards by Janet Dodrill

November 24, 2016

By Janet Dodrill

Euclid Beach Carousel iPad art image by Janet Dodrill

Euclid Beach Carousel iPad art image by Janet Dodrill.

Looking for a unique artisan gift? You can find my note cards and prints in local Cleveland shops listed below. The themes include Cleveland landmarks, carousel horses from the Euclid Beach Carousel, nature scenes from the Nature Center at Shaker Lakes, Chagrin Falls landmarks, and other subjects.

The images are photography that is manipulated using iPad art apps, and some are then put into graphic design layouts.

 

 

 

Shops:

Fireside Book Shop, 29 N Franklin St, Chagrin Falls, OH 44022, www.firesidebookshop.com (Note cards)

In The 216 shop, 1854 Coventry Road, Cleveland Heights, OH 44118, www.facebook.com/inthe216shop (Note cards, matted & loose laser prints, coloring pages)

Mac’s Backs-Books, 1820 Coventry Road, Cleveland Heights, OH 44118, www.macsbacks.com (Note cards)

Native Cleveland gift shop, 15813 Waterloo Road, Cleveland, OH 44110, www.nativecleveland.com (Note cards)

Stars on Blue, 165 E. Aurora Road, Northfield, OH 44067,www.facebook.com/StarsonBlue (Note cards, matted images, coloring pages)

The Duck Pond gift shop, Nature Center at Shaker Lakes, 2600 S. Park Blvd., Cleveland, OH 44120, www.shakerlakes.org (Note cards)

Western Reserve Historical Society gift shop, 10825 East Boulevard, Cleveland, Ohio 44106, www.wrhs.org (Note cards, matted & loose laser prints, coloring pages)

Visit my ETSY shop for a limited amount of original lino-cut prints at janetdodrill.etsy.com.

Chagrin Falls iPad art image by Janet Dodrill

Chagrin Falls iPad art image by Janet Dodrill.

Cleveland prints by Janet Dodrill

Cleveland prints by Janet Dodrill.

Cleveland note cards by Janet Dodrill at In The 216 gift shop

Cleveland note cards by Janet Dodrill at In The 216 gift shop.

Chagrin Falls note cards by Janet Dodrill at Fireside Book Shop

Chagrin Falls note cards by Janet Dodrill at Fireside Book Shop.

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Warren R. Cox, Headed Sales at Schmitz-Horning Co.

July 17, 2016

By Janet Dodrill

Warren R. Cox, early 1900s.

Warren R. Cox, early 1900s.

Schmitz-Horning Company, a former well-established Cleveland wall covering firm, 1905-1960, had a dedicated staff which included head salesman, Warren Richard Cox (1880-1960). In 1906 a patent was granted for the printed frieze for walls, and signed by co-owners Hugo M. Schmitz I (my great-grandfather, 1867-1938), artist and lithographer, and William Horning, lithographer, along with Warren R. Cox (http://www.google.com/patents/US830931).

Hugo Max Schmitz married Pauline Maynard Reynolds (“Queen”) in Cleveland in 1902. In 1905 they had a son named Warren Reynolds Schmitz. It is thought that he was named either after Queen’s brother Warren who died in 1897 at age 18 in a tragic hunting accident, or after Warren R. Cox, a close family friend (or both).

Warren was not only salesman at Schmitz-Horning, but on his own he was an inventor. He created the automobile ignition lock (patent approved 1920), an idea which was apparently sparked by Hugo’s stolen Packard (http://www.google.com/patents/US1334292). The lock was later sold to Ford which helped to finance his entrance into radio. Starting as a ham radio operator, he became a pioneer in Ohio and founded its first public radio station, WHK, in 1921. Prior to founding the radio station, he sold batteries and then radios. He learned there was a lack of radio music available for the general public and the station was formed to create something to play on his radios, which in those days involved live music and entertainment on site. He carried patents for a variety of items.

Warren Cox’s son Wilson married Margaret Elanor Hale, and artist. Her mother, Margaret Zeller Hale (widow of Alcazar Hotel builder George W. Hale) was on a weekend drive with Hugo and Queen Schmitz and died in an automobile crash in 1938 along with Hugo.

Hugo Schmitz and son Warren Schmitz, Wilson Cox (Warren Cox’s son), Hugo’s wife Queen Schmitz, and Elsie Cox enjoy an outing in nature.

Copyright article and images. All rights reserved. Not to be used without permission.

Schmitz and Cox families.

Hugo Schmitz I and son Warren Schmitz, Wilson Cox (Warren Cox’s son), Hugo’s wife Queen Schmitz, and Elsie Cox enjoy an outing in nature. (Photograph possibly taken by Warren Cox.)

 


Artists of Schmitz-Horning Company

May 28, 2016

By Janet Dodrill

The Schmitz-Horning Co., a chromo-lithographic wallcovering firm, was in business 55 plus years, from 1905 to 1960. But the company may have started in 1903 as a litho poster production company and then developed their own line of wall murals, friezes, and scenic wall papers around 1905, branded San-Kro-Mura. They offered an attractive yet inexpensive product line, using oil-based non-fading color oil-based inks printed on high quality paper that was sanitary or fully-washable. Later as new scenics and panoramics designed, the brand Kro-mura was created.

They rented space at the Whitney Power Building or Power Block at E. 10th and Power Ave., between St. Clair and Rockwell, and later moved to their own building at 777 E. 82nd Street in Cleveland, near Gordon Park. In 1906 a patent was registered for the ‘Frieze’ by co-owners Hugo Max Schmitz and William Horning, along with their head salesperson, Warren R. Cox. The Frieze was a repeating continuous scene which surrounded the room at the top of the wall. In the early years it would take two years to complete the plates for a single scenic. The 43″ x 83″ hand-fed lithographic presses used were the largest in the world. The company custom built three, Schmitz-Horning had two, the other being in London, England. Zinc plates had to be shipped from Germany.

The company produced some of the largest wall maps in the industry.

Hugo Max Schmitz (1867-1938) (my great grandfather), co-owner, was an artist who came to Cleveland, in his 30s, in the late 1800s, and was from a large German family in Milwaukee, Wisconsin. He married Pauline (Queen) M. Reynolds in 1902, who was a society lady. They lived in East Cleveland and later moved to University Heights, Ohio.

Venice pattern, 30" x 10', and original watercolor by Hugo M. Schmitz, Schmitz-Horning co-founder.

Venice pattern, 30″ x 10′, and original watercolor by Hugo M. Schmitz, Schmitz-Horning co-founder.

He was a member of Cleveland’s Art Club, with mostly German members, that met in City Hall. He traveled to Paris and Morocco, and perhaps to Morocco with other artists. In one of these paintings, he painted a cleaning girl from a New York City office building and won an award for it (either second place or honorable mention) at an exhibit at the Metropolitan Museum of Art. Our family has a couple of his original watercolors and oils, including a portrait he did of my great grandmother. They honeymooned in Venice, and a watercolor he did there became a wallpaper pattern called Venice. He was rated as one of the best litho-crayon artists in the industry.

William Horning, co-owner, sold his interest in the company to Hugo around 1920, but worked as a lithographer in Cleveland.

Warren R. Schmitz (1905-1970) (my grandfather), son of Hugo M. Schmitz, started working at the company after college around 1929 in sales and promotion, and designed sales brochures, books and displays and traveled to various dealers in the U.S. He ran the company after his father’s death in 1938 until it closed around 1960.

After time, the company produced small scale salesman samples of the wallpapers for sales calls. Prior to that they were taking long rolls on calls. The same high quality inks and papers were used on the smaller scale versions. Warren Schmitz modernized the product line, obtaining sketches from prominent artists. New sales promotion aids were printed in-house using a small Harris offset press. In the 1950s he appeared on the TV show ‘What’s My Line?’. The company was also featured on a radio segment called ‘On Location’ with young announcer Virgil Dominic, sponsored by The Illuminating Company.

Chateau de Province pattern, ten sections, each 40" x 80", repeat, designed by Henry G. Keller. Above catalog illustration, below section of actual paper (detail photo: Cooper Hewitt).

Chateau de Province pattern, ten sections, each 40″ x 80″, repeat, designed by Henry G. Keller. Above catalog illustration, below section of actual paper (detail photo: Cooper Hewitt).

Henry G. Keller (1869-1949) was a Cleveland School Artist and taught there. He designed the pattern, Chateau de Province, while in his prime. It was a French rural scenic, an included a chateau, native trees, and a fox hunt of equestrians with horses. It was 10 sections, each near 33″ x 72″.

Carl Fuchs designed Old South, believed in the 1940s, of plantation life in early America, including a steamboat and fox hunt. There were twelve sections, each 40″ x 80″ in repeat pattern.

Old South pattern, 12 sections, each 40" x 80", repeat, designed by Carl Fuchs. Section of actual paper (detail photo: Cooper Hewitt).

Old South pattern, 12 sections, each 40″ x 80″, repeat, designed by Carl Fuchs. Section of actual paper (detail photo: Cooper Hewitt).

Lou Ramacciato, began working at Schmitz-Horning after graduating from Cleveland Institute of Art in 1946, and later went on to work 28 years at the Cleveland Museum of Art restoring art and preparing gallery exhibits.

Robinson Crusoe Pictoral Mural Map, one panel 40" x 60", designed by Glenn M. Shaw. Above catalog illustration, below section of actual paper (detail photo: Cooper Hewitt).

Robinson Crusoe Pictoral Mural Map, one panel 40″ x 60″, designed by Glenn M. Shaw. Above catalog illustration, below section of actual paper (detail photo: Cooper Hewitt).

Glenn M. Shaw and Elsa Shaw had a studio in Lakewood and both worked commercially and taught. Elsa did some design work for them, though Glenn designed a number of patterns for the company, including 5 illustrated maps which were said to be accurate, the Old Canal set which depicts the Ohio and Erie Canal between Cleveland and Bath, Ohio, and Old Dominion which is a set of 7 panels. Each panel is 30” x 80” plus, could be trimmed at the desired height. He is known for painting murals in three post offices, in Canton, Warren, and Perrysburg, Ohio.

Paul A. Meunier was a litho artist, from Hunting Valley, who worked at the company for 11 years. Two other family members worked there, Ovid Meunier for 25 years and Laurence Meunier for 7-10 years. After leaving Schmitz-Horning, Paul became partner then owner at R.E. May, a plate-making company, that is still in existence today on E. 24th Street in Cleveland. I found an old brochure page on their website which shows Paul, and in another photo on the same page is a small-scale Schmitz-Horning western mural, called Wells Fargo. The Western Reserve Historical Society has a full size set of the pattern in their collection.

Wells Fargo pattern, 5 sections, each 40" x 80", repeat (artist unknown).

Wells Fargo pattern, 5 sections, each 40″ x 80″, repeat (artist unknown).

I found a still life watercolor by Paul Meunier on ETSY in 2011, and his name plate appeared on the back of the framing. He painted it in 1937, during the span of time when he worked at Schmitz-Horning. He wrote a book on the history of Gates Mills, Ohio, and there is an award in his name at the Gates Mills Art Show. I read that a painting of his was in the chamber room of their city hall. He enjoyed drawing, printmaking, and painting wildlife and horses.

Paul A. Meunier, watercolor or gouache floral painting, 1937, employed at the Schmitz-Horning Co. 1927-1938.

Paul A. Meunier, watercolor or gouache floral painting, 1937, employed at the Schmitz-Horning Co. 1927-1938.

Ed Sinz worked at the company for 35-40 years. We have Christmas cards, to my grandfather from the sculptor Walter Sinz around the 1940s, possibly Ed’s son or relation.

Here is a comprehensive list of known artists or litho artists that worked at the Schmitz-Horning Co., either on staff or assignment-based, as designer and/or litho artist.

Schmitz-Horning Co. Artists:

Anne Nolan (catalog Illustrator)
August Biehle (?)

Binnie Wilson
Carl Broemel
Carl Fuchs
D.E. Sutton (catalog Illustrator)
Ed Sinz
Elsa V. Shaw
Glenn M. Shaw
Havenstein
Henry G. Keller
Hugo M. Schmitz (Schmitz-Horning Co. co-founder)
Kathy Cass
Kyra Markham
Laurence Meunier
Lou Ramacciato
Ovid Meunier
Paul A. Meunier
Paul Haas
William Horning (Schmitz-Horning Co. co-founder)

Posters and displays were printed for
Advertising Agencies:

Fred Dugar Co.
Fuller-Smith & Ross
H. Stief Company/Harvey G. Steif, Inc.
Lang, Fisher & Stashower

Lotus Garden pattern catalog illustration by B.E. Sutton.

Lotus Garden pattern catalog illustration by B.E. Sutton.

When I began to uncover material from the company in our family home, it sparked my interest. Starting with my first blog post about Schmitz-Horning in 2011, I began writing a series of blog posts, and started to receive many inquiries about the company and patterns. I hope to continue my research and  produce a publication on it one day.

 

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