Lithography Spells Style For Schmitz-Horning Co., Wallpaper and Wallcoverings Magazine, 1961

November 28, 2021

By Janet Dodrill

Reproduced from the article, Lithography Spells Style For Schmitz-Horning Co. article, Wallpaper and Wallcoverings magazine, Convention Issue, November, 1961.

wallpaper and wallcoverings magazine november 1961

Wallpaper and Wallcoverings Magazine, Convention Issue, November, 1961.

In 1796, when a playwright named Aloys Senefelder invented a new process for publishing his plays and music, he probably never dreamed his method would be used to reproduce hundreds of different things – among them wallpaper scenics.

The process Senefelder invented is called lithography. It was adapted in 1905 by the Schmitz-Horning Co. Cleveland, Ohio, to make wallpaper murals.

The Cleveland firm is the only firm in the United States producing decorative types of scenic papers by the lithographic process. The technique is also used, however, to make photo murals.

Lithography offers two advantages in the production of scenic papers. First, it is comparatively inexpensive, and secondly, there is plenty of latitude in producing various effects. Until recently, Schmitz-Horning scenics were done in a full rainbow of colors with blurred outlines. The new lines, however, have adopted the crisp, simple styling popularized by the more expensive sold screen printed scenics.

schmitz-horning company direct rotary press and pressman 1961

A Schmitz-Horning Co. lithograph “direct rotary” press here “grounds” on a double coat of an oil based paint. Only one color can be printed at a time.

“When Schmitz-Horning first started making scenics, customers liked many colors and complicated designs,” explained Warren Schmitz, company president. “In fact, it took more than two years’ work to complete the plates for just one scenic.”

Some color ways of this scenic were made in 14 printings, one print at a time. The complicated motif of butterflies, flowers and other greenery gave the effect of elaborated detail found in oil painting. This elaborateness has been abandoned by the firm in its new scenics which are painted “color for color,” according to Mr. Schmitz.

Yet today’s S-H murals are being produced in much the same way as they were in 1905 when Hugo M. Schmitz, Warren Schmitz’s father, and Will Horning, a lithographic artist, Founded the firm. Horning sold out his share of the firm in 1921, and it has been run by the Schmitz family since.

lithographic artist frank mayer at schmitz-horning company 1961

Lithographic artist Frank Mayer traces a color area of a new Schmitz-Horning Co. design on a transparent tissue.

Hugo Schmitz was an artist of some note whose work had been hung in the Metropolitan Museum of Art. Since worlds of art had long been reproduced by the lithographic process, Schmitz felt that wallpaper scenics could be made in the same way and much more economically than the hand-painted and wood blocked ones then available. So was introduced the first mechanized method of producing scenic wallpapers.

Within the firm’s first year of business, it established a modest distribution throughout the country, with a plant in downtown Cleveland as headquarters. In 1912 Schmitz-Horning moved to a two-story building at 777 E. 82nd St., where it has remained ever since.

In the plant of 15,000 square feet, the firm produces it lines of Murals of American, Lithographed Mural Wallpaper and Mural Maps. Schmitz-Horning was probably the first firm in the country to come out with a map specifically as a wallpaper scenic and called a “Mural Map.”

schmitz-horning company bookkeeper mrs harry james 1961

Mrs. Harry James, bookkeeper at Schmitz-Horning Co. for 37 years, checks a customer file. The firm puts out only its own lines which have been distributed throughout the U.S. for more than 50 years.

Mr. Schmitz estimated that his lithographed murals sell for about one-third to one-half the price of handprinted ones. The lower prices are due to the fact that lithographed wallpaper, although not made at the mass production rates of machine prints, can still be put out much faster than screen printed scenics requiring many hand operations.

The basis for lithography is a simple one: – under certain controlled conditions, oil and water will not mix. This process utilizes a flat printing of roughened zinc in contrast to a raised or engraved surface.

But before a plate can be made, a number of preliminary steps must be taken at the Schmitz-Horning plant. First, a design is needed. Providing these are free lance artists. Sometimes the artist will suggest his own design, while other times Mr. Schmitz will make a definite assignment.

schmitz-horning company president warren schmitz with sanibel pattern lithographic mural 1961

Warren Schmitz, president of Schmitz-Horning Co., stands beside a panel of “Sanibel”, new Schmitz-Horning lithographic mural featuring crisp, clean styling.

The finished art is usually half the size of the murals, which average 10-13 feet in width. Some scenics, however, exceed 20 feet. One well-known Schmitz-Horning design, “Westchester Hunt,” comes in 10 sections and runs a grand total of 11 1/3 feet.

A Black and white photograph of the finished art is blown up to full mural size. The Schmitz-Horning lithographic artist makes a tracing on tissue over the photograph. The tracing is an art in itself, since the artist is using a black and white photograph as his guide and must study the full color sketch to select colors. Each color must have its own tracing.

The tracings are then “rubbed down” on a zinc plate by putting them through a transfer press. The artist now works on the plate with a liquid crayon. Using the tracings as a guide he works in the color values onto the plate. Although a separate plate is required for each color in the design, both the dark and light values of a color can be carried on a single plate.

The plate is next put through a solution of gum arabic to delineate between the print and non-print areas. Parts of the surface protected by crayon are not affected by the chemical bath. But the unprotected surfaces react to the solution and take on an oxide coating. The plate now has the ability to attract and retain water on its surface.

The crayon is removed after the gum arabic bath, and the plate is ready for use. Its printing areas – those originally covered with crayon – pick up and transfer oil inks. The non-printing areas, those carrying a coating of oxide, will pick up and retain water.

Schmitz-Horning has three lithograph “direct rotary” presses plus a smaller press for scenic miniatures. The presses are sheet fed. The plate is attached to a large cylinder and prints directly on the sheets of paper which are carried around a second cylinder. Just one color is printed at a time and paper sheets are fed into the presses by hand.

Wallpaper scenics are but one of the many decorative and useful items reproduced by the lithographic process. May famous artists of past and present have produced lithographic prints which occupy a high rank in the graphic arts. Lithography is also the basis of the offset process used to print blotters, booklets, calendars, programs, greeting cards, children’s books, stationery, sheet music, maps and even cigar bands.

The oil-based paints used in the lithographic process have made Schmitz-Horning scenics automatically washable. “We’ve improved the process throughout the years, but even our earliest efforts could be washed,” said Mr. Schmitz. “A Woman wanted to know how to clean one of our old scenics in her house. I gave her very careful instructions, but the cleaning woman went ahead and washed it with LesToil. It came out beautifully.”

Schmitz-Horning’s new crisp styling is designed to appeal to modern families who want smart decor at a price they can afford, according to Mr. Schmitz. “Lithography still offers the most practical, mechanized method for producing large-scale designs,” he concluded.

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Schmitz-Horning Company Made Beautiful Landscape Wallpapers

January 28, 2021

By Janet Dodrill

Cleveland, Ohio wallpaper manufacturer, Schmitz-Horning Company (1905-1964), designed and produced beautiful high quality wall murals and panoramics for homes and institutions. Here is a selection of just of few landscape designs from their 1941-1942 catalog, “Scenic and Sectional Wall Paper.”

The company produced large-scale chromolithographs and was maker to Kro-Mura, San-Kro-Mura, and Venwood wallpaper brands.

Copyright article and images. All rights reserved. Not to be used without permission.

Treasure Island, no. 8044 natural coloring on Rachelle, five sections each 40" wide by 80" high, by Schmitz-Horning Co.

Treasure Island, no. 8044 natural coloring on rachelle, five sections each 40″ wide by 80″ high, by Schmitz-Horning Co.

The Woodland, no. 367, two sheets each 36" high by 60" wide, by Schmitz-Horning Co.

The Woodland, no. 367, two sheets each 36″ high by 60″ wide, by Schmitz-Horning Co.

The Heron, no. 608, natural on off-white ground, two section each 40 inches wide by 60 inches high, by Schmitz-Horning Co.

The Heron, no. 608, natural on off-white ground, two section each 40 inches wide by 60 inches high, by Schmitz-Horning Co.

The Forest, no. 601, two sections each 40" wide by 60" high, by Schmitz-Horning Co.

The Forest, no. 601, two sections each 40″ wide by 60″ high, by Schmitz-Horning Co.

Sierras, no. 363, three sheets each 36" high by 60" wide, by Schmitz-Horning Co.

Sierras, no. 363, three sheets each 36″ high by 60″ wide, by Schmitz-Horning Co.

Ming Floral, no. 8036, turquoise ground, four sections each 40" by 80", by Schmitz-Horning Co.

Ming Floral, no. 8036, turquoise ground, four sections each 40″ by 80″, by Schmitz-Horning Co.

Larkspur, no. 8020, pastel colors on light yellow, three sections each 40" by 80", by Schmitz-Horning Co.

Larkspur, no. 8020, pastel colors on light yellow, three sections each 40″ by 80″, by Schmitz-Horning Co.

Elysia, no. 8032, pastel colors on old ivory, five sections each 40" by 80", by Schmitz-Horning Co.

Elysia, no. 8032, pastel colors on old ivory, five sections each 40″ by 80″, by Schmitz-Horning Co.

Die Niederlaender, no. 410, two sheets each 40" high by 60" wide, by Schmitz-Horning Co.

Die Niederlaender, no. 410, two sheets each 40″ high by 60″ wide, by Schmitz-Horning Co.

Chinese Floral, no. 80733, full color on wedgewood, four sections each 40" by 80", by Schmitz-Horning Co.

Chinese Floral, no. 80733, full color on wedgewood, four sections each 40″ by 80″, by Schmitz-Horning Co.

Chinese Embroidery, no. 808014, pastel colors on ivory grass cloth ground, two sections each 40" by 80", by Schmitz-Horning Co.

Chinese Embroidery, no. 808014, pastel colors on ivory grass cloth ground, two sections each 40″ by 80″, by Schmitz-Horning Co.

Schmitz-Horning Co. 1941-1942 catalog, Scenic and Sectional Wall Paper.

Schmitz-Horning Co. 1941-1942 catalog, Scenic and Sectional Wall Paper.


Schmitz-Horning Company Wall Frieze Patent

September 28, 2020

By Janet Dodrill

Schmitz-Horning Company, a well-established Cleveland wall covering printing firm, 1905-1964, had a patent granted in 1906, from the United States Patent Office, for the printed frieze for walls. It was signed by co-owners Hugo M. Schmitz I (my great-grandfather, 1867-1938), president, artist and lithographer, and William Horning, artist and lithographer, along with Warren R. Cox, head salesman.

Printed frieze for walls patent granted to the Schmitz-Horning Co., 1906, drawing 1. Photo: Google Patents

Printed frieze for walls patent granted to the Schmitz-Horning Co., 1906, sheet 1. Photo: Google Patents

Printed frieze for walls patent granted to the Schmitz-Horning Co., 1906, drawing 2. Photo: Google Patents

Printed frieze for walls patent granted to the Schmitz-Horning Co., 1906, sheet 2. Photo: Google Patents

The patent information:
http://www.google.com/patents/US830931

Copyright article and images. All rights reserved. Not to be used without permission.


Schmitz-Horning Co. Wallpaper Featured at Cooper Hewitt Design Museum

July 28, 2020

By Janet Dodrill

The Cooper Hewitt Design Museum of the Smithsonian Institution features a collection of Schmitz-Horning Company wallpaper.

Schmitz-Horning Co., a Cleveland wallpaper and mural manufacturing firm, was in business from 1905 to 1964. Cooper Hewitt was gifted 111 wallpaper rolls in a variety of patterns by the Wallpaper Council, Inc. of New York City in 1960, and they spotlight specific papers in different areas of their site.

Here are some of Cooper Hewitt’s links that feature Schmitz-Horning wallpaper.

THE OUTSIDE COMES INSIDE, 2017
https://www.cooperhewitt.org/2017/12/17/the-outside-comes-inside/
Learn about the 1913-1914 Schmitz-Horning Co. catalog in the Cooper Hewitt Design Library and features and qualities of the friezes, and about Smithsonian libraries’ Adopt-a-Book-Program, for books that need support for preservation treatment.

Schmitz-Horning Company catalog, 1913-1914

Schmitz-Horning Company catalog, 1913-1914

THE SCENIC HUDSON IN YOUR HOME, 2015
https://www.cooperhewitt.org/2015/08/27/the-scenic-hudson-in-your-home/
Featuring Scenic Hudson scenic wallpaper by Schmitz-Horning Co., 1930-1940.

Schmitz-Horning Company, Scenic Hudson wallpaper pattern, 1930-1940

Schmitz-Horning Company, Scenic Hudson wallpaper pattern, 1930-1940

DECORATIVE WALL MAP, 2015
https://www.cooperhewitt.org/2015/07/05/decorative-wall-map/
Featuring a beautifully-illustration map section by artist Glenn M. Shaw for Schmitz-Horning Co.

Schmitz-Horning Company, Smuggler's Cove wall map, 1950

Schmitz-Horning Company, Smuggler’s Cove wall map, 1950

WALL STORIES: CHILDREN’S WALLPAPERS AND BOOKS, 2007
https://collection.cooperhewitt.org/exhibitions/35350907/
A past museum exhibition that is now partially displayed online.

Schmitz-Horning Company, Kindergarten Cut-Outs wall mural, 1906

Schmitz-Horning Company, Kindergarten Cut-Outs wall mural, 1906

THE SCHMITZ-HORNING CO.
https://collection.cooperhewitt.org/people/18046573/objects/
Explore Cooper Hewitt’s collection of Schmitz-Horning items.

Schmitz-Horning Company, Chinese Embroidery wallpaper pattern, 1930-1940

Schmitz-Horning Company, Chinese Embroidery wallpaper pattern, 1930-1940

It is wonderful to have this resource offered by the museum, preserving these fine papers to be appreciated and enjoyed by all.

Images from Cooperhewitt.org used under the Fair Use copyright act.


Frieze by Schmitz-Horning Co. Based on Henry G. Keller Painting

June 30, 2020

By Janet Dodrill

The Garden of the Gods, No. 362, wall frieze, Schmitz-Horning Co. 1912 catalog, from the painting by Henry G. Keller

The Garden of the Gods, No. 362, wall frieze, Schmitz-Horning Co. 1912 catalog, from the painting by Henry G. Keller

American artist Henry G. Keller (1869-1949) designed works for Cleveland’s Schmitz-Horning Company, a wallpaper manufacturer. A frieze, which appeared in a 1912 catalog (from our Schmitz family archive), The Garden of the Gods (the gateway, with Pike’s Peak in the distance), No. 362, was from the painting by Henry Keller. The pattern was made-up of a sequence of six sections, 36 inches wide by 15 feet repeat. These wall decorations had unlimited uses, as the catalog states, in both residences and public places such as hotels, restaurants, theaters and club rooms.

henry g keller

Henry Keller, ca. 1920 (source: Archives of American Art, Smithsonian Institution)

I am in the process of researching the painting, and will update this post with anything I discover.

Henry Keller was born the same year as my great-grandfather, Hugo Max Schmitz, co-founder and president of Schmitz-Horning, which was founded in 1905. Based on that, Mr. Keller must have been in between the ages of 36 and 45 when the wall frieze was manufactured.

Copyright article and images. All rights reserved. Not to be used without permission.

Resources:

Photo, Henry Keller, ca. 1920 / unidentified photographer. Henry G. Keller papers, Archives of American Art, Smithsonian Institution
http://www.aaa.si.edu/collections/images/detail/henry-keller-6384

Schmitz Family Archives

Detail, The Garden of the Gods, frieze, Schmitz-Horning Co.

Detail, The Garden of the Gods, frieze, Schmitz-Horning Co., chromolithograph


Schmitz-Horning Co. Letterhead 1907

September 23, 2019

By Janet Dodrill

Recently, I came across this ephemera paper item on eBay, a letter from The Schmitz-Horning Company (founded 1905) to a potential customer Danbury Fair, to accompany wall covering samples, typed on their letterhead, dated 1907. I was so happy to find this document because it contains historical information about the company that I did not know previously.

The Schmitz-Horning Co. letter to a potential customer on their letterhead, 1907

The Schmitz-Horning Co. letter to a potential customer on their letterhead, 1907.

The letter reads (copied as it appears):

May 8, 1907.

Secretary. Danbury Fair.

Danbury, Conn.

Dear Sir:

Per the request of Mr Frank Spellman we are sending you under separate cover sample of a three sheet for Knabenshues Air-ship. We have the same thing in a one sheet. This paper is copywrited under our own name and cannot be obtained from anyone else. The price of the three sheets is 6 cents per sheet, and on the one sheets it is 6 cents per sheet in lots up to 500 over that 5 cents per sheet. Hoping to have the pleasure of hearing favorably from you we are

Yours very truly.

The Schmitz-Horning Co.

Do you use any race paper? We have a complete line of the very latest.

The company administrators are listed at the top:

H.M. Schmitz, President

W.R. Cox, Vice President

Wm Horning, Treasurer

W.M. Cope, Secretary

The first three are also listed on Schmitz-Horning’s 1906 Frieze Patent.

Hugo Max Schmitz (my great-grandfather) and William Horning were co-founders of the Schmitz-Horning Company. Hugo was an artist and most likely met William, an artist and a lithographer, at Cleveland Art Club in the late 1890s. I found a Cleveland Plain Dealer newspaper article on an Art Club exhibit where they both exhibited. Warren R. Cox, shown as Vice President, was a relative and became head salesman. William M. Cope, listed as Secretary on the letterhead, was also a relative, and this letter brings forth my first understanding that he had any involvement in the company.

In researching the three-sheet sample named in the letter, Knabenshues Air-ship, I came across these air vessels in a 1914 Schmitz-Horning Co. catalog in the Sporting Panels series that was manufactured both in one sheet and in three sheets, which may be that one.

Sporting Panel pattern depicting aircraft by Schmitz-Horning Co.

Sporting Panel pattern depicting aircraft by Schmitz-Horning Co., 1914 catalog.

Additionally, at the bottom of the letter it mentions race paper. Could this possibly be the racing automobiles pattern that I discovered in the same catalog and series?

Sporting Panel pattern showing competing automobiles of the time on a race track or country road by Schmitz-Horning Co.

Sporting Panel pattern showing competing automobiles of the time on a race track or country road by Schmitz-Horning Co., 1914 catalog.

The address on the letterhead is Whitney Building, Power and Muirson Streets, Cleveland. The building housed many companies including machinists, foundries and lithographers. Power Street or Avenue no longer exists today. The company was in its own building on E. 82nd street by 1912.

Whitney Building, E. 12th and Power Ave., Cleveland, 1963. (Cleveland Public Library Photograph Collection)

Whitney Building, E. 12th and Power Ave., Cleveland, 1963. (Cleveland Public Library Photograph Collection)

The Schmitz-Horning Co. label dated from a 1912 catalog, from its newer address on E. 82nd Street, Cleveland.

The Schmitz-Horning Co. label dated from a 1912 catalog, from its newer address on E. 82nd Street, Cleveland.

schmitz-horning-company-cleveland-ohio-plant-about-1925

The Schmitz-Horning Company building, Cleveland, Ohio, about 1925.

Copyright article and images. All rights reserved. Not to be used without permission.


Carl Fuchs Designed Schmitz-Horning Scenic Wall Pattern

May 23, 2019

By Janet Dodrill

Schmitz-Horning Company's Old South scenic panel detail (Photo: Cooper Hewitt).

Schmitz-Horning Company’s Old South 1930s-1940s scenic panel detail (Photo: Cooper Hewitt).

Carl Fuchs designed the Old South scenic wall paper pattern (1930s-1940s) for the Schmitz-Horning Company of Cleveland, Ohio. The color lithograph (chromolithograph) inks and (washable) paper used were of the highest quality. Old South depicted plantation life in early America, and included a steamboat and fox hunt. There were twelve sections, each approximately 40″ x 80″ in repeat pattern.

The company was co-founded and run by my great-grandfather, Hugo M. Schmitz, and after his death in the late 1930s, run by my grandfather Warren R. Schmitz.

I am almost certain this 1920s Art Deco decorative pattern, Dekorative Vorbilder (Decorative Role Models), which I came across on an auction site, is by the same artist.

Dekorative Vorbilder by Carl Fuchs, 1920s Art Deco decorative pattern.

Dekorative Vorbilder by Carl Fuchs, 1920s Art Deco decorative pattern (Photo: Liveauctioneers.com).

Carl Fuchs was also hired by my grandparents to paint an oil portrait of my mother, then a girl of eight years.

Oil portrait of Schmitz-Horning president's daughter (my mother) by artist Carl Fuchs, 1939.

Oil portrait of Schmitz-Horning president’s daughter (my mother) by artist Carl Fuchs, 1939 (Photo: Schmitz family).

Resources:

Cooper Hewitt, Old South Scenic Panels
https://collection.cooperhewitt.org/objects/18431473/
https://collection.cooperhewitt.org/objects/18431471/
https://collection.cooperhewitt.org/objects/18431469/

Cooper Hewitt, Objects Involving The Schmitz-Horning Co.
https://collection.cooperhewitt.org/people/18046573/objects/

Riverview Estate Auctions, September 27, 2015 Auction, Lot 0008B
https://www.liveauctioneers.com/item/41129637_1920s-art-deco-dekorative-vorbilder-print-carl-fuchs

Copyright article and images. All rights reserved. Not to be used without permission.

Schmitz-Horning Company's Old South scenic panel, 1 of 12 sections, each 40″ x 80″, repeat, designed by Carl Fuchs (Photo: Cooper Hewitt).

Schmitz-Horning Company’s Old South scenic panel, 1 of 12 sections, each 40″ x 80″, repeat, designed by Carl Fuchs (Photo: Cooper Hewitt).

Schmitz-Horning Company's Old South scenic panel, 1 of 12 sections, each 40″ x 80″, repeat, designed by Carl Fuchs (Photo: Cooper Hewitt).

Schmitz-Horning Company’s Old South scenic panel, 1 of 12 sections, each 40″ x 80″, repeat, designed by Carl Fuchs (Photo: Cooper Hewitt).

Schmitz-Horning Company's Old South scenic panel, 1 of 12 sections, each 40″ x 80″, repeat, designed by Carl Fuchs (Photo: Cooper Hewitt).

Schmitz-Horning Company’s Old South scenic panel, 1 of 12 sections, each 40″ x 80″, repeat, designed by Carl Fuchs (Photo: Cooper Hewitt).


Schmitz-Horning Maytime Pattern No. 8015 Uncovered

January 12, 2019

By Janet Dodrill

A couple months ago I was contacted by email to help identify a Schmitz-Horning Co. frieze or wallpaper pattern. The only information available was the manufacturer name “Schmitz-Horning Co., Cleveland, Ohio, Made in U.S.A.,” the pattern name “Maytime,” and the pattern number “8015,” Section A and Section C. The person was renovating an old home and was curious to see what had been under the layers of wallpaper.

Home being renovated by new owners uncover under layers that wallpaper by Schmitz-Horning was used.

Home being renovated by new owners uncover under layers that wallpaper by Schmitz-Horning was used.

Schmitz-Horning Co., Cleveland, Ohio wall frieze border uncovered in home renovation.

Schmitz-Horning Co., Cleveland, Ohio wall frieze border uncovered in home renovation.

Maytime identified as old wallpaper pattern used in old home.

Maytime identified as old wallpaper pattern used in old home.

After some time searching the family archives, I was able to locate the pattern in Schmitz-Horning Company’s 1937 Kro-Mura™ Wall Decorations Catalog, pages 14 and 15. It was a beautiful fairy-like scenic color lithograph wall covering design, and send images of it to the contact. It is unclear when the pattern was initially produced.

It was rewarding to uncover some of the history of the old home and share in the discovery of this long lost wallpaper design.

Copyright article and images. All rights reserved. Not to be used without permission.

Maytime. This beautiful scenic paper reminds one of fairy-story illustrations. Its unusual charm lies largely in this fairy-lore interest, its dainty handling and refined coloring.

Maytime. This beautiful scenic paper reminds one of fairy-story illustrations. Its unusual charm lies largely in this fairy-lore interest, its dainty handling and refined coloring.

Maytime wall covering pattern by Schmitz-Horning Co. 1937 Kro-Mura catalog specification page.

Maytime wall covering pattern by Schmitz-Horning Co. 1937 Kro-Mura catalog specification page.

Maytime, No. 8015 – Green and pastel

Maytime, No. 8015 – Green and pastel, Maytime wall covering pattern by Schmitz-Horning Co. catalog specification page.

Maytime, Section A, B, C, D

Maytime, Section A, B, C, D, Maytime wall covering pattern by Schmitz-Horning Co. catalog specification page.


Karl Germain the Wizard Magic Posters Printed by Schmitz-Horning Co.

April 8, 2018

By Janet Dodrill

In 1908, Schmitz-Horning Company (est. 1905), a Cleveland, Ohio lithographic printing company, manufactured a series of large color lithographic advertising posters for professional magician Karl Germain. Additionally printed was a brochure.

Karl Germain (Charles Mattmuller), 1878-1959, was a native of Cleveland, and performed unique magic of his own creation in both America and England until his stage career ended prematurely in 1916 due to blindness.

These posters, and those of other magicians, have become highly collectible in ‘magicana’ collections (antiques and collectibles related to magic and magicians). Several international auction houses (and eBay) have offered these rare magic lithographs, and other wall murals by the Schmitz-Horning Company, for sale since around 2010.

Potter & Potter Auctions of Chicago, Illinois has auctioned dozens of Schmitz-Horning Co. Karl Germain magic posters.

Recently, one of the Karl Germain’s magic posters became available in Google Arts & Culture for the public to enjoy and learn about.

Schmitz-Horning was known for their early large scale capacity printing presses. At the time they owned two of three such custom-built presses in the world, and the 40″ x 80″-plus plates were shipped-in from Germany.

Resources:

Potter & Potter Auctions
Google Arts and Culture, American Museum of Magic

Copyright article and images. All rights reserved. Not to be used without permission.

Germain the Wizard Coming Events Cast Their Shadows Before Poster

Germain the Wizard Coming Events Cast Their Shadows Before, three-sheet, 1908, 41″ x 76 1/2″, 1908, (Photo: Potter & Potter Auctions)

Germain the Wizard Magic Poster

Germain the Wizard, 1908, 27 3/4″ x 42″, color lithograph (Photo: Potter & Potter Auctions)

Germain the Wizard Witch’s Cauldron Poster

Germain the Wizard, Witch’s Cauldron, 1908, 85″ x 44″, stone lithograph (Photo: Google Arts and Culture, American Museum of Magic)

Germain The Wizard

Germain the Wizard, Witch’s Cauldron Detail, 1908, Schmitz-Horning Co. lithograph (Photo: Google Arts and Culture, American Museum of Magic)

Germain The Man Who Mystified All Of London Poster

Germain, the Man who Mystified All of London, three-sheet, 1908, 76 1/2″ x 41″, color lithograph (Photo: Potter & Potter Auctions)

Germain the Master of Magic

The Master of Magic, Germain, 1908, 43″ x 28″, color lithograph (Photo: Potter & Potter Auctions)

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Cooper Hewitt’s Object of the Day, Schmitz-Horning Co. 1913-1914 Catalogue

March 11, 2018

By Janet Dodrill

The Outside Comes Inside, Cooper Hewitt's Object of the Day, the Schmitz-Horning Company Catalogue.

The Outside Comes Inside, Cooper Hewitt’s Object of the Day, the Schmitz-Horning Company Catalogue.

Cooper Hewitt’s recent Object of the Day (December 17, 2017), The Outside Comes Inside, featured Schmitz-Horning Company’s San-Kro-Mura wall decoration catalogue from 1913-1914.

The Object of the Day webpage contains color images of selected catalogue pages and a brief audio recording about it and the company.

The Schmitz-Horning Company, established in 1905 in Cleveland, Ohio, designed and manufactured full-color chromolithograph high quality washable wall coverings, murals, decorative room panoramics, and friezes.

The wall decoration catalogue is available as part of an “adoption” program to gain funding to support the preservation of this book and others at the museum.

Cooper Hewitt, Smithsonian Design Museum currently has over 100 pieces in their collection from the Schmitz-Horning Company – the major collection was a gift from the Wallpaper Council, Inc. of New York, NY.

Schmitz-Horning was co-founded by Hugo M. Schmitz (my great-grandfather) and William Horning, artists and lithographers. It is believed the two became acquainted in the late 1800s in and around the Cleveland Art Club and artist’s community. Mr. Horning sold his interest in the company in 1920. Around 1926, Warren R. Schmitz (my grandfather), became vice president of the firm and assisted in company sales. In 1938 he became president of the company until it closed in 1960.

The Forest wall mural theme, Schmitz-Horning Co., 1914 catalogue

The Forest wall mural theme, Schmitz-Horning Co., 1914 catalogue

 

Hollyhocks wall mural theme, Schmitz-Horning Co. 1914 catalogue.

Hollyhocks wall mural theme, Schmitz-Horning Co. 1914 catalogue.

Copyright article and images. All rights reserved. Not to be used without permission.


Selected Schmitz-Horning Company Links at Cooper Hewitt:

Cooper Hewitt’s recent Object of the Day (December 17, 2017) The Outside Comes Inside, Schmitz-Horning Co. 1913-1914 Catalogue
cooperhewitt.org/2017/12/17/the-outside-comes-inside

The Schmitz-Horning Co.
collection.cooperhewitt.org/people/18046573

Cooper Hewitt WALLCOVERINGS
cooperhewitt.org/tag/wallcoverings