Lithography Spells Style For Schmitz-Horning Co., Wallpaper and Wallcoverings Magazine, 1961

November 28, 2021

By Janet Dodrill

Reproduced from the article, Lithography Spells Style For Schmitz-Horning Co. article, Wallpaper and Wallcoverings magazine, Convention Issue, November, 1961.

wallpaper and wallcoverings magazine november 1961

Wallpaper and Wallcoverings Magazine, Convention Issue, November, 1961.

In 1796, when a playwright named Aloys Senefelder invented a new process for publishing his plays and music, he probably never dreamed his method would be used to reproduce hundreds of different things – among them wallpaper scenics.

The process Senefelder invented is called lithography. It was adapted in 1905 by the Schmitz-Horning Co. Cleveland, Ohio, to make wallpaper murals.

The Cleveland firm is the only firm in the United States producing decorative types of scenic papers by the lithographic process. The technique is also used, however, to make photo murals.

Lithography offers two advantages in the production of scenic papers. First, it is comparatively inexpensive, and secondly, there is plenty of latitude in producing various effects. Until recently, Schmitz-Horning scenics were done in a full rainbow of colors with blurred outlines. The new lines, however, have adopted the crisp, simple styling popularized by the more expensive sold screen printed scenics.

schmitz-horning company direct rotary press and pressman 1961

A Schmitz-Horning Co. lithograph “direct rotary” press here “grounds” on a double coat of an oil based paint. Only one color can be printed at a time.

“When Schmitz-Horning first started making scenics, customers liked many colors and complicated designs,” explained Warren Schmitz, company president. “In fact, it took more than two years’ work to complete the plates for just one scenic.”

Some color ways of this scenic were made in 14 printings, one print at a time. The complicated motif of butterflies, flowers and other greenery gave the effect of elaborated detail found in oil painting. This elaborateness has been abandoned by the firm in its new scenics which are painted “color for color,” according to Mr. Schmitz.

Yet today’s S-H murals are being produced in much the same way as they were in 1905 when Hugo M. Schmitz, Warren Schmitz’s father, and Will Horning, a lithographic artist, Founded the firm. Horning sold out his share of the firm in 1921, and it has been run by the Schmitz family since.

lithographic artist frank mayer at schmitz-horning company 1961

Lithographic artist Frank Mayer traces a color area of a new Schmitz-Horning Co. design on a transparent tissue.

Hugo Schmitz was an artist of some note whose work had been hung in the Metropolitan Museum of Art. Since worlds of art had long been reproduced by the lithographic process, Schmitz felt that wallpaper scenics could be made in the same way and much more economically than the hand-painted and wood blocked ones then available. So was introduced the first mechanized method of producing scenic wallpapers.

Within the firm’s first year of business, it established a modest distribution throughout the country, with a plant in downtown Cleveland as headquarters. In 1912 Schmitz-Horning moved to a two-story building at 777 E. 82nd St., where it has remained ever since.

In the plant of 15,000 square feet, the firm produces it lines of Murals of American, Lithographed Mural Wallpaper and Mural Maps. Schmitz-Horning was probably the first firm in the country to come out with a map specifically as a wallpaper scenic and called a “Mural Map.”

schmitz-horning company bookkeeper mrs harry james 1961

Mrs. Harry James, bookkeeper at Schmitz-Horning Co. for 37 years, checks a customer file. The firm puts out only its own lines which have been distributed throughout the U.S. for more than 50 years.

Mr. Schmitz estimated that his lithographed murals sell for about one-third to one-half the price of handprinted ones. The lower prices are due to the fact that lithographed wallpaper, although not made at the mass production rates of machine prints, can still be put out much faster than screen printed scenics requiring many hand operations.

The basis for lithography is a simple one: – under certain controlled conditions, oil and water will not mix. This process utilizes a flat printing of roughened zinc in contrast to a raised or engraved surface.

But before a plate can be made, a number of preliminary steps must be taken at the Schmitz-Horning plant. First, a design is needed. Providing these are free lance artists. Sometimes the artist will suggest his own design, while other times Mr. Schmitz will make a definite assignment.

schmitz-horning company president warren schmitz with sanibel pattern lithographic mural 1961

Warren Schmitz, president of Schmitz-Horning Co., stands beside a panel of “Sanibel”, new Schmitz-Horning lithographic mural featuring crisp, clean styling.

The finished art is usually half the size of the murals, which average 10-13 feet in width. Some scenics, however, exceed 20 feet. One well-known Schmitz-Horning design, “Westchester Hunt,” comes in 10 sections and runs a grand total of 11 1/3 feet.

A Black and white photograph of the finished art is blown up to full mural size. The Schmitz-Horning lithographic artist makes a tracing on tissue over the photograph. The tracing is an art in itself, since the artist is using a black and white photograph as his guide and must study the full color sketch to select colors. Each color must have its own tracing.

The tracings are then “rubbed down” on a zinc plate by putting them through a transfer press. The artist now works on the plate with a liquid crayon. Using the tracings as a guide he works in the color values onto the plate. Although a separate plate is required for each color in the design, both the dark and light values of a color can be carried on a single plate.

The plate is next put through a solution of gum arabic to delineate between the print and non-print areas. Parts of the surface protected by crayon are not affected by the chemical bath. But the unprotected surfaces react to the solution and take on an oxide coating. The plate now has the ability to attract and retain water on its surface.

The crayon is removed after the gum arabic bath, and the plate is ready for use. Its printing areas – those originally covered with crayon – pick up and transfer oil inks. The non-printing areas, those carrying a coating of oxide, will pick up and retain water.

Schmitz-Horning has three lithograph “direct rotary” presses plus a smaller press for scenic miniatures. The presses are sheet fed. The plate is attached to a large cylinder and prints directly on the sheets of paper which are carried around a second cylinder. Just one color is printed at a time and paper sheets are fed into the presses by hand.

Wallpaper scenics are but one of the many decorative and useful items reproduced by the lithographic process. May famous artists of past and present have produced lithographic prints which occupy a high rank in the graphic arts. Lithography is also the basis of the offset process used to print blotters, booklets, calendars, programs, greeting cards, children’s books, stationery, sheet music, maps and even cigar bands.

The oil-based paints used in the lithographic process have made Schmitz-Horning scenics automatically washable. “We’ve improved the process throughout the years, but even our earliest efforts could be washed,” said Mr. Schmitz. “A Woman wanted to know how to clean one of our old scenics in her house. I gave her very careful instructions, but the cleaning woman went ahead and washed it with LesToil. It came out beautifully.”

Schmitz-Horning’s new crisp styling is designed to appeal to modern families who want smart decor at a price they can afford, according to Mr. Schmitz. “Lithography still offers the most practical, mechanized method for producing large-scale designs,” he concluded.

Copyright article and images. All rights reserved. Not to be used without permission.

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Schmitz-Horning Company Made Beautiful Landscape Wallpapers

January 28, 2021

By Janet Dodrill

Cleveland, Ohio wallpaper manufacturer, Schmitz-Horning Company (1905-1964), designed and produced beautiful high quality wall murals and panoramics for homes and institutions. Here is a selection of just of few landscape designs from their 1941-1942 catalog, “Scenic and Sectional Wall Paper.”

The company produced large-scale chromolithographs and was maker to Kro-Mura, San-Kro-Mura, and Venwood wallpaper brands.

Copyright article and images. All rights reserved. Not to be used without permission.

Treasure Island, no. 8044 natural coloring on Rachelle, five sections each 40" wide by 80" high, by Schmitz-Horning Co.

Treasure Island, no. 8044 natural coloring on rachelle, five sections each 40″ wide by 80″ high, by Schmitz-Horning Co.

The Woodland, no. 367, two sheets each 36" high by 60" wide, by Schmitz-Horning Co.

The Woodland, no. 367, two sheets each 36″ high by 60″ wide, by Schmitz-Horning Co.

The Heron, no. 608, natural on off-white ground, two section each 40 inches wide by 60 inches high, by Schmitz-Horning Co.

The Heron, no. 608, natural on off-white ground, two section each 40 inches wide by 60 inches high, by Schmitz-Horning Co.

The Forest, no. 601, two sections each 40" wide by 60" high, by Schmitz-Horning Co.

The Forest, no. 601, two sections each 40″ wide by 60″ high, by Schmitz-Horning Co.

Sierras, no. 363, three sheets each 36" high by 60" wide, by Schmitz-Horning Co.

Sierras, no. 363, three sheets each 36″ high by 60″ wide, by Schmitz-Horning Co.

Ming Floral, no. 8036, turquoise ground, four sections each 40" by 80", by Schmitz-Horning Co.

Ming Floral, no. 8036, turquoise ground, four sections each 40″ by 80″, by Schmitz-Horning Co.

Larkspur, no. 8020, pastel colors on light yellow, three sections each 40" by 80", by Schmitz-Horning Co.

Larkspur, no. 8020, pastel colors on light yellow, three sections each 40″ by 80″, by Schmitz-Horning Co.

Elysia, no. 8032, pastel colors on old ivory, five sections each 40" by 80", by Schmitz-Horning Co.

Elysia, no. 8032, pastel colors on old ivory, five sections each 40″ by 80″, by Schmitz-Horning Co.

Die Niederlaender, no. 410, two sheets each 40" high by 60" wide, by Schmitz-Horning Co.

Die Niederlaender, no. 410, two sheets each 40″ high by 60″ wide, by Schmitz-Horning Co.

Chinese Floral, no. 80733, full color on wedgewood, four sections each 40" by 80", by Schmitz-Horning Co.

Chinese Floral, no. 80733, full color on wedgewood, four sections each 40″ by 80″, by Schmitz-Horning Co.

Chinese Embroidery, no. 808014, pastel colors on ivory grass cloth ground, two sections each 40" by 80", by Schmitz-Horning Co.

Chinese Embroidery, no. 808014, pastel colors on ivory grass cloth ground, two sections each 40″ by 80″, by Schmitz-Horning Co.

Schmitz-Horning Co. 1941-1942 catalog, Scenic and Sectional Wall Paper.

Schmitz-Horning Co. 1941-1942 catalog, Scenic and Sectional Wall Paper.


Schmitz-Horning Co. Wallpaper Featured at Cooper Hewitt Design Museum

July 28, 2020

By Janet Dodrill

The Cooper Hewitt Design Museum of the Smithsonian Institution features a collection of Schmitz-Horning Company wallpaper.

Schmitz-Horning Co., a Cleveland wallpaper and mural manufacturing firm, was in business from 1905 to 1964. Cooper Hewitt was gifted 111 wallpaper rolls in a variety of patterns by the Wallpaper Council, Inc. of New York City in 1960, and they spotlight specific papers in different areas of their site.

Here are some of Cooper Hewitt’s links that feature Schmitz-Horning wallpaper.

THE OUTSIDE COMES INSIDE, 2017
https://www.cooperhewitt.org/2017/12/17/the-outside-comes-inside/
Learn about the 1913-1914 Schmitz-Horning Co. catalog in the Cooper Hewitt Design Library and features and qualities of the friezes, and about Smithsonian libraries’ Adopt-a-Book-Program, for books that need support for preservation treatment.

Schmitz-Horning Company catalog, 1913-1914

Schmitz-Horning Company catalog, 1913-1914

THE SCENIC HUDSON IN YOUR HOME, 2015
https://www.cooperhewitt.org/2015/08/27/the-scenic-hudson-in-your-home/
Featuring Scenic Hudson scenic wallpaper by Schmitz-Horning Co., 1930-1940.

Schmitz-Horning Company, Scenic Hudson wallpaper pattern, 1930-1940

Schmitz-Horning Company, Scenic Hudson wallpaper pattern, 1930-1940

DECORATIVE WALL MAP, 2015
https://www.cooperhewitt.org/2015/07/05/decorative-wall-map/
Featuring a beautifully-illustration map section by artist Glenn M. Shaw for Schmitz-Horning Co.

Schmitz-Horning Company, Smuggler's Cove wall map, 1950

Schmitz-Horning Company, Smuggler’s Cove wall map, 1950

WALL STORIES: CHILDREN’S WALLPAPERS AND BOOKS, 2007
https://collection.cooperhewitt.org/exhibitions/35350907/
A past museum exhibition that is now partially displayed online.

Schmitz-Horning Company, Kindergarten Cut-Outs wall mural, 1906

Schmitz-Horning Company, Kindergarten Cut-Outs wall mural, 1906

THE SCHMITZ-HORNING CO.
https://collection.cooperhewitt.org/people/18046573/objects/
Explore Cooper Hewitt’s collection of Schmitz-Horning items.

Schmitz-Horning Company, Chinese Embroidery wallpaper pattern, 1930-1940

Schmitz-Horning Company, Chinese Embroidery wallpaper pattern, 1930-1940

It is wonderful to have this resource offered by the museum, preserving these fine papers to be appreciated and enjoyed by all.

Images from Cooperhewitt.org used under the Fair Use copyright act.


Cooper Hewitt Museum at Smithsonian Offers Large Sample Collection of Schmitz-Horning Wallcoverings

September 22, 2015

By Janet Dodrill

For design and wallpaper lovers, Cooper Hewitt, Smithsonian’s Design Museum, has an entire section of wall covering samples from the Schmitz-Horning Company of Cleveland, Ohio. As a gift of the Wallpaper Council, Inc., the collection has dozens of patterns and color variations, printed as chromo-lithographs, mostly believed to be from the 1930s and 1940s.

Scenic Hudson, Scenic-Panels by Schmitz-Horning Co., 1930-1940, Cooper Hewitt, Gift of Scott Cazet

Scenic Hudson, Scenic-Panels by Schmitz-Horning Co., 1930-1940, Cooper Hewitt, Gift of Scott Cazet

The company was known for upscale lithographic wallpaper, friezes, art murals, and scenic panoramics, printed with oil-based inks onto high-quality paper, and was in business between 1905 and 1960. They used some of the largest zinc printing plates in the country, with an image area of roughly 80″ x 40″. The paper was fully washable.

The design museum owns one full set, a four-part scenic mural called ‘Scenic Hudson,’ a lovely pattern that they describe, “captures a romantic view of the Hudson River.” What’s also great is that Cooper Hewitt includes a detailed description of the work with accompanying audio. This set was the gift of Scott Cazet.

Additionally, Schmitz-Horning offered a selection of large-scale wall maps. The Cooper Hewitt museum has two adjoining sections of a beautifully illustrated map, ‘Smuggler’s Cove,’ designed by established Cleveland area artist Glenn M. Shaw, who contracted on several designs with the company. Again, the museum offers details and audio on the pattern.

Smuggler's Cove by Schmitz-Horning Co., 1930-1940, Cooper Hewitt, Gift of Wallpaper Council, Inc.

Smuggler’s Cove by Schmitz-Horning Co., 1930-1940, Cooper Hewitt, Gift of Wallpaper Council, Inc.

Although the museum is still in the process of digitizing the samples to post on their website, I have created a category on my Pinterest page of Schmitz-Horning work currently on their site. I have a special interest in the history, since my great-grandfather, Hugo M. Schmitz, co-founded and served as president of the company, until his death, when it was then operated by my grandfather, Warren R. Schmitz. I am thrilled that these samples were preserved and thanks to the digital age they are now being shared.

Cooper Hewitt has undertaken a huge (ongoing) effort to make the Schmitz-Horning Co. samples available as resources for the general public, researchers, and enthusiasts.

Resource Links:

Cooper Hewitt / The Schmitz-Horning Co.
https://collection.cooperhewitt.org/people/18046573/

Cooper Hewitt / Schmitz Horning / Objects Of The Day
http://www.cooperhewitt.org/tag/schmitz-horning/

(Pictured) Chinese Embroidery Scenic-Panel by Schmitz-Horning Co., 1930-1940, Cooper Hewitt, Gift of Wallpaper Council, Inc.
https://collection.cooperhewitt.org/objects/18431485/

Chinese Embroidery Scenic-Panel by Schmitz-Horning Co., 1930-1940, Cooper Hewitt, Gift of Wallpaper Council, Inc.

Chinese Embroidery Scenic-Panel by Schmitz-Horning Co., 1930-1940, Cooper Hewitt, Gift of Wallpaper Council, Inc.

 

Images from Cooperhewitt.org used under the Fair Use copyright act.


Schmitz-Horning Co. Catalogs, Lithos Digitized at Cleveland Public Library and CleDPL

August 15, 2015

By Janet Dodrill

CleDPL library assistant Ray Rozman scans an original Schmitz-Horning Co. wall mural design.

CleDPL library assistant Ray Rozman scans an original Schmitz-Horning Co. wall mural design.

In going through the family house a few years ago, I discovered catalogs and samples from my great-grandfather’s former Cleveland-based business, the Schmitz-Horning Company. Since then, I have been researching and learning about the company, and our family’s role in the company.

The Schmitz-Horning Company, which specialized in high quality washable color wallpaper, artistic murals and scenic panoramic wall coverings, was founded around 1905 by Hugo M. Schmitz I, an artist and my great-grandfather, and William (Bill) Horning, a lithographer. Mr. Horning left the partnership around 1920. My grandfather (Hugo’s son), Warren R. Schmitz, acted as vice president of the company starting in the late 1920s. After the tragic automobile-related death of Hugo Schmitz in 1938, Warren Schmitz served as president of the company.

Through Google, Cleveland’s newspaper The Plain Dealer archives through the Cuyahoga County Public Library’s website, and family materials, I have started my journey of piecing together a historical footprint of the company and some of the people that worked at the company.

CPL Map/GIS librarian Tom Edwards scans a Schmitz-Horning scenic wallpaper design.

CPL Map/GIS librarian Tom Edwards scans a Schmitz-Horning scenic wallpaper design.

Recently, I discovered the public resources available at Cleveland Public Library in downtown Cleveland. Over several trips there, I visited the Cleveland Digital Public Library (CleDPL) (under the direction of Chatham Ewing, Digital Library Strategist), at 325 Superior Avenue, 3rd floor, the map department and the history department at 525 Superior Avenue, 6th floor, the business department on the 2nd floor, and the photograph collection on the 4th floor, and as a patron received assistance in researching and in documentation of our family’s materials.

Additionally, I was made aware of the Cleveland Public Library Digital Gallery, the library’s public online digital gallery.

Panoramic Friezes catalog, 1909-1910, the Schmitz-Horning Company, Cleveland, Ohio.

Panoramic Friezes catalog, 1909-1910, the Schmitz-Horning Company, Cleveland, Ohio.

A dedicated library staff assisted and enabled me to do extensive high resolution and large-scale scanning of our deteriorating Schmitz-Horning original wallpaper designs and mural lithographs, and multiple company catalogs, with an early one dating back to 1909, and most being the only known catalogs in existence. The Cleveland Digital Public Library, a new department since spring of this year, accommodated me for many hours spread over several weeks by assisting me with scans on an i2s SupraScan Quartz overhead scanner, synced to a pc, with size capabilities up to 33″ x 46″. They suggested methods regarding the preservation and storing of the materials. Other equipment available included an Epson Expression 10000 XL for photographs, and several book scanners, one high-speed ATIZ scanner, and one a versatile and user-friendly Knowledge Imaging Center (KIC) scanner. The map department had a large-scale feed-through type scanner (plus printer), a Hewlett Packer Designjet T1200 HD MFP, which scans up to 41″ wide by any length, which enabled me to scan one-of-a-kind lithographic wallpaper rolls, some over 100 inches long.

A selection of the materials scanned will be available on the Cleveland Public Library Digital Gallery, making documentation on this historic Cleveland business available to the public. Individuals researching companies in the wallpaper industry may also find it useful.

Other Schmitz-Horning blog posts by Janet Dodrill:

Schmitz-Horning Co. Artists Created Impressive Lithographic Murals and Scenic Wallpaper

Google Cultural Institute

Schmitz-Horning Co. Ming Floral Scenic Wallpaper Pattern

Schmitz-Horning Company Created Wallpaper Murals and Art

Articles about Cleveland Digital Public Library:

Cleveland Digital Public Library Will Offer High-Tech Scanning For The Masses

Ohio: Grand Opening of Cleveland Digital Public Library (ClevDPL) Taking Place Today

Ohio Public Libraries Receive Grant Funding To Create Network Of Coordinated Digitization Hubs

Curtis Flowers scans a Schmitz-Horning Co. lithograph on CleDPL's large overhead scanner.

Curtis Flowers scans a Schmitz-Horning Co. lithograph on CleDPL’s large overhead scanner.

The Cleveland Digital Public Library (CleDPL) department of Cleveland Public Library

The Cleveland Digital Public Library (CleDPL) department of Cleveland Public Library.

Book Scanner at Cleveland Digital Public Library

Book Scanner at Cleveland Digital Public Library.

Copyright article and images. All rights reserved. Not to be used without permission.


Do You Know the Color of the Year?

February 22, 2015

By Janet Dodrill

Having been educated in the graphic arts and printing industry in my career as a graphic designer, when color giant Pantone® speaks, I listen!

Artists and designers, you may be interested to know that Pantone® has named the color of the year – Marsala. According to their web site it is described as “a naturally robust and earthy wine red.”

Additionally, the Pantone® Fashion Color Reports for Spring 2015 and Fall 2015 have been announced. These reports are released months in advance, the Spring report was released last September, and the Fall report was released this month (February). These reports are generated in conjunction with scheduled New York fashion shows that forecast clothing trends. I think it is very valuable as a designer to have this information to incorporate in creative visuals over the course of the year.

Color winners of the last five years are on the site, as well as other favorites.

Need inspiration? Browse around the Pantone® Canvas portfolio site. You can also sign-up and showcase your own work!

Image Source: Pantone.com

Pantone® Color of the Year 2011-2015

Resource Links:

Pantone Color of the Year 2015

Pantone® FASHION COLOR REPORT SPRING 2015

Pantone® FASHION COLOR REPORT FALL 2015

Pantone® Colors of the Year (2011-2015) and Other Favorites

Pantone® Canvas portfolio site


Schmitz-Horning Company Created Wallpaper Murals and Art

April 11, 2011

By Janet Dodrill

schmitz-horning-company-cleveland-ohio-color-landscape-wall-mural

Schmitz-Horning Co. wall art.

hugo max schmitz

Hugo Max Schmitz of Schmitz-Horning Company, Cleveland, Ohio.

In the early 1900s there existed a Cleveland, Ohio wallpaper and mural art manufacturing company named Schmitz-Horning Company. Artist and printmaker Hugo Max Schmitz, co-founder, artist, and a second or third generation German immigrant, produced large scale decorative wall pieces known as “friezes”. These pictorial wall decorations were applied to the upper third of walls in high class home and hallways or public buildings (the lower area was typically covered in a solid wallpaper to serve as background for furniture). The company was innovative in its German imports of large scale plates for their color lithography and chromolithography printing, and the first to develop, though unpatented, a washable wallpaper printed in oil colors and cleanable with a damp cloth without injury to the paper.

schmitz-horning-company-cleveland-ohio-sanibel-no-77211-wall-mural-sample

Wall paper mural sample showing A, B, C, and D sections. Sanibel Pattern No. 77211, Schmitz-Horning Co., Cleveland, Ohio.

Hugo wrote an article on ‘Wallpaper News’ for Arts & Decoration architecture magazine, October 1912 (pages 439-440) about this wall treatment and its application. According to the article, the wall decoration frieze was of a different concept than a typical wall border, which were to be used with wall-hangings. The designs were more independent in character, to take up not less than one quarter of the wall space (high room ceilings preferred), and its base should not be more than seven feet from the ground. The company also manufactured advertising posters.

queen-reynolds-home-euclid-ave-east-cleveland-ohio

Wife, Queen grew up in this E. Cleveland home on the north side of Euclid Avenue at Ivydale (across the street and down from the Rockefellers).

Mr. Schmitz knew many of the Cleveland School Artists, painted and sketched among them, and hired some of them to design wallpaper murals, including Henry Keller, and August Biehle. He also spoke of other local artists like Frank Wilcox and William Somer. He was close friends with Archibald Willard of Bedford, Ohio, who is known for his painting, The Spirit of ’76. Archibald Willard presented one of his landscape paintings to Hugo and his bride, Queen Reynolds for their wedding in 1902. Later he gave Hugo a table statue of the three soldiers depicted in his famous painting.

schmitz-horning-company-cleveland-ohio-hunt-sport-wall-mural

Schmitz-Horning Co. wallpaper mural, sports series.

National Painters magazine, Volume 39. 1912 (pages 734-735) stated the company first appeared at the wall paper show in 1905 with their panoramic friezes. Early popular designs included the “Navajo”, the “Chase” and the “Cupids and Garlands”, and were considered dominant features with their bright colors and more importantly real works of art at a considerable low cost. Other newer named catalog items are named in the article with color variances including a ‘Wizard of Oz’ series, and subject matter including gardens and castles, foliage and tree tops, grasses, sunsets, tropics, brooks, fabric effects, sporting panels and fox hunters, poker games and horse drawn carriages, witches and caldrons, animal cut-outs for children, even story-telling “Pocahontas and Captain John Smith”, ranging in size from 10-41 inches, some in repeats, and some in continuous designs extending to 20 feet. Schmitz Horning had small scale illustrations made in actual colors for their catalogs.

schmitz-horning-company-cleveland-ohio-plant-about-1925

The Schmitz-Horning Company building, Cleveland, Ohio, about 1925.

In Building Age architecture magazine, 1919, (page 78) the catalogs are noted as of interest to the trade, and the friezes are described as affordable decorations which retained qualities of hand work or mural paintings, were sanitary (cleanable) and were said not to stain or fade.

warren-reynolds-schmitz-schmitz-horning-company-cleveland-ohio

After the death of Hugo Max Schmitz, Schmitz-Horning Co. was run by his son, Warren Reynolds Schmitz.

Potter & Potter Auctions of Chicago has carried a number of Schmitz-Horning wall lithographs in their auctions.

The company was a member of The Wallpaper Council of New York, NY. After his tragic death by automobile accident in 1938, the business was run by Hugo’s son, Warren Reynolds Schmitz, until it closed sometime around 1960.

hugo-max-schmitz-original-watercolor-cleveland-ohio

Original watercolor by Hugo Max Schmitz.

Hugo Max Schmitz was my great-grandfather, and though I never met him, I have admiration for him and share his passion for art and printmaking. His personal artwork included original portrait work in watercolor and oils.

Copyright article and images. All rights reserved. Not to be used without permission.

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